If there was ever a year to get into electronic music, 2012 was probably that year. As well as Burial and Clubroot showing the world how dubstep should be done, we've had an explosion of talent from Russia in the likes of Night Shift and Clonki as well as local scenes blossoming in both the east (Borealis, Liar) and west (Kettel, Secede, Chymera) of mainland Europe. In the meantime, Indie music seems to be suffering from an identity crisis in this Hipster-conscious age if Metronomy singles are to be believed, Metal continues to go the way of pop-punk by continuing to stagnate and Pop itself is even embracing the deeper sides of electronic. Folk's done alright, actually, but for the purpose of getting you to listen to electronic we'll ignore that. Ambient, as ever, has enjoyed a fantastic year.
So here it is, my personal top 10 releases of the year.
Showing posts with label Burial. Show all posts
Showing posts with label Burial. Show all posts
Monday, December 31, 2012
Jonny's Top 10 Releases of 2012
Posted by
Jonny Hunter
Labels:
17f,
Amon Tobin,
bersarin quartett,
Burial,
End of the year 2012,
Evening Hymns,
Evo Luthi,
Jonny Hunter,
Kettel,
listening mirror,
Night Shift,
Pepe Deluxe,
Secede
Monday, December 24, 2012
Album Review: Burial - Truant
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| Album Rating: A- |
Not a headphone was silent, with the same sound heard.
Just the clicking of music blogs ever refreshed
In hope that Truant had finally been pressed.
The children were nestled all snug in their beds
While the echoes of Kindred danced round in their heads.
As after weeks of waiting with no leak to come
It appeared any chance for this listen was done.
When out in the net there arose such a clatter
My laptop sprung open to see what’s the matter.
I scoured the blogs for all that’s to see,
And found a new Burial waiting for me.
Posted by
Jonny Hunter
Labels:
Album Review,
Burial,
Jonny Hunter,
Rough Sleeper,
Truant
Monday, December 17, 2012
Artist of the Day: Burial
With Truant out today, that makes a total of two top-of-year-list worthy releases from one man. Not simply for the electronic-leaning folks either, because Burial's acclaim has spread far beyond the borders of what would once be considered his prime audience. In a very GY!BE or Neutral Milk Hotel way everyone seems to listen, have listened or about to listen to Burial even though his slow garage and dubstep style initially appears difficult to access. In the end though, it's sad, reflective and moving to such a profound extent that the music is able to conquer the limitations of the style.
The new EP takes Burial in a previously unexplored direction. Skeletal beats move him back to the cool, sharp and stripped-down approach which defined his self-titled debut, but within this comfortable framework he works in a muffled celebration of late 20th century dance in much the same fashion that The Caretaker approached 1920's dance hall music last year. We hear small scraps of trance and even the more industrial reaches of DnB in 'Truant' beneath the solid dubstep architecture with the tone sitting neatly in between "tribute" and "death cry" in a solid display of why Burial manages to be so moving. "Rough Sleeper" is more explicit with these influences, and with the muzzle removed they transform his music into an in-the-moment celebration rather than a reflection. Latter parts of the track tone this down somewhat, with a cowbell-led midsection slowly subsiding to a classic Kindred-esque finish. The end result is an incredibly satisfying EP from one of the world's most celebrated producers. It's arguably not his best, yet still it manages to top almost all of its competition.
Purchase
The new EP takes Burial in a previously unexplored direction. Skeletal beats move him back to the cool, sharp and stripped-down approach which defined his self-titled debut, but within this comfortable framework he works in a muffled celebration of late 20th century dance in much the same fashion that The Caretaker approached 1920's dance hall music last year. We hear small scraps of trance and even the more industrial reaches of DnB in 'Truant' beneath the solid dubstep architecture with the tone sitting neatly in between "tribute" and "death cry" in a solid display of why Burial manages to be so moving. "Rough Sleeper" is more explicit with these influences, and with the muzzle removed they transform his music into an in-the-moment celebration rather than a reflection. Latter parts of the track tone this down somewhat, with a cowbell-led midsection slowly subsiding to a classic Kindred-esque finish. The end result is an incredibly satisfying EP from one of the world's most celebrated producers. It's arguably not his best, yet still it manages to top almost all of its competition.
Purchase
Posted by
Jonny Hunter
Labels:
Artist Of The Day,
Burial,
Jonny Hunter
Monday, February 13, 2012
Frenchy's New Muzik Monday (2/13/12)
Here’s some new music for y’all to take in. Just a quick warning though: it’s not all immediately accessible (especially Sigh) and one of the songs is 2 years old, but I’m sure many of you are unfamiliar with it so I’m posting it regardless. Enjoy!
Burial - Kindred
Stream here
Firstly, let’s start off with a song so fresh that it still has that brand-new car scent. You’ll all no doubt have heard of Burial by now. Letting all of us become familiar once more with Dubstep’s presence in 2007 via Untrue, Burial helped us get in touch with a genre we almost forgot existed and has since been satiating the craving for those pining to hear more of his signature style of Dubstep through the release of EPs. Somehow (almost impossibly) redefining a sound that was already redefined, “Kindred” (song and EP) sounds like it’s charting new territory, fleshing out Burial’s brooding side and focusing heavily on atmosphere. On an EP with songs that constantly meander, “Kindred” is decidedly the most straightforward of the three. The other two are available for stream right below “Kindred”, assuming you like said song.
Burial - Kindred
Stream here
Firstly, let’s start off with a song so fresh that it still has that brand-new car scent. You’ll all no doubt have heard of Burial by now. Letting all of us become familiar once more with Dubstep’s presence in 2007 via Untrue, Burial helped us get in touch with a genre we almost forgot existed and has since been satiating the craving for those pining to hear more of his signature style of Dubstep through the release of EPs. Somehow (almost impossibly) redefining a sound that was already redefined, “Kindred” (song and EP) sounds like it’s charting new territory, fleshing out Burial’s brooding side and focusing heavily on atmosphere. On an EP with songs that constantly meander, “Kindred” is decidedly the most straightforward of the three. The other two are available for stream right below “Kindred”, assuming you like said song.
Posted by
Matt French
Labels:
Burial,
John Talabot,
Matt French,
new muzik monday,
Sigh,
The Knife
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