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Showing posts with label Marc M. Cogman. Show all posts
Showing posts with label Marc M. Cogman. Show all posts

Saturday, February 16, 2013

Album Review: Marc M. Cogman - Anthems

Album Rating: A
NOTE: This review is part of Free Music February and a revision of a review originally posted on December 22, 2012 on AbsolutePunk.net.

The title of folk-rock artist Marc M. Cogman’s third release Anthems is confusing at first, as nothing in the actual work suggests much of anything very anthemic. The production is scratchy and unpolished, often letting louder dynamics blur together in an angry haze. The instrumentation is right out of the folk playbook, utilizing pianos, guitars, drums, and little else. The lyrics rarely deviate from its author’s personal tribulations. Yet that’s precisely where its value as an anthemic work comes from: it aims not to please a crowd but finds its power in the individual struggles we all face in the name of love. Cogman leaves himself to grapple freely with his thoughts and ambitions, and the result is just as complex as his relationships: angry then hopeful, bitter then euphoric, detached then engaged—and throughout this rollercoaster ride of emotion, both relatable and uplifting.

Monday, December 31, 2012

Moses's Top 25 Albums Of The Year..And Other Things

TOP 25 RELEASES OF 2012

Click on the links for fun times.

25. Carly Rae Jepsen – Kiss
If you need further proof that “Call Me Maybe” was just the beginning, this is it. Jepsen puts her understated but expressive voice to good work on this nonstop ride, and not even ill-advised visits from Owl City and Justin Bieber can weigh the fun down too much.

24. Fun. – Some Nights
23. Phillip Phillips – The World From The Side Of The Moon
Where so many Idol winners before him have failed is where Phillips (times two) succeeds: he has a clear understanding of who he wants to be right off of the bat, and what his debut release lacks in ambition it more than makes up for in substance—and sincerity.

22. she – Electric Girl
Finnish producer Lain Trzaska, better known online as she, has been doing terrific under-the-rader work in the electronic/chiptune genre for a while now, but for the uninitiated, Electric Girl is a more-than-adequate primer: look no further than the title track, which mixes glitchy and vaguely seductive come-ons, the sonic ferocity of rock, and the thrusting rhythms of breakbeat—all under the pretenses of a throbbing club banger. Or “Heartbeats”, which buries a murky but surprisingly resilient vocal under the interplay of synths and piano before soaring in the chorus; it even has the balls to throw in a guitar solo just because it sounds really freaking good. For Trzaska, bleeps and bloops are just windows into other walks of music, and if his latest release is any indication, he’s not even close to finishing his exploration.