Alex Newton's Top 50 of 2013

1. The Ocean – Pelagial

In the wake of The Ocean’s polarizing duo Heliocentric and Anthropocentric, their next album was bound to be a make-or-break affair. With Pelagial, however, those fears about the Ocean’s future can finally be laid to rest. Based around the very cool concept of descending through the ocean, Pelagial feels more natural than anything else by the new lineup. Songwriter and guitarist Robin Staps’ original idea was to start with a clean, ambient “surface” feel and move steadily towards a “distorted and abrasive sound for the doomy depth-passages at the end of the album”. Indeed, the serene major-chord piano of “Epipelagic” sets a tone unlike anything in The Ocean’s catalogue, despite seascape sounds that otherwise whisper of Fluxion’s opener, “Nazca”.

Artist of the Day: Kalmah

Key Release:
They Will Return (2002)

Few bands have exemplified the maxim “if it ain’t broke, don’t fix it” better than Kalmah. Since 1998, Finland’s answer to In Flames and At the Gates has been machining high-octane death metal with commendable consistency, with a slight turn towards thrash in the middle of its discography. Now on its seventh album in fourteen years, Kalmah seems to have flown under the radar somewhat compared to contemporaries such as Dark Tranquility and Children of Bodom. Perhaps it’s because Kalmah arrived on the scene a few years late, or because they’re from Oulu instead of Gothenberg, but this oversight certainly isn’t due to a lack of quality material. It wouldn’t be hard to make a case for Kalmah’s second album They Will Return being a genre classic, and five of its six full-length efforts are generally held in high regard (with 2008’s For the Revolution perhaps falling short of the rest). Kalmah’s core lineup of brothers Pekka and Antti Kokko, bassist Timo Lehtinen and über-drummer Janne Kusmin have been together since 2002’s and that quartet is still keeping the band going strong.

Album Review: Kalmah - Seventh Swamphony

Album Score: B+

Few bands have exemplified the maxim “if it ain’t broke, don’t fix it” better than Kalmah. Since 1998, Finland’s answer to In Flames and At the Gates has been machining high-octane death metal with commendable consistency, with a slight turn towards thrash in the middle of its discography. Now on its seventh album in fourteen years, Kalmah seems to have flown under the radar somewhat compared to contemporaries such as Dark Tranquility and Children of Bodom. Perhaps it’s because Kalmah arrived on the scene a few years late, or because they’re from Oulu instead of Gothenberg, but this oversight certainly isn’t due to a lack of quality material. It wouldn’t be hard to make a case for Kalmah’s second album They Will Return being a genre classic, and five of its six full-length efforts are generally held in high regard (with 2008’s For the Revolution perhaps falling short of the rest). So Seventh Swamphony comes with something of a pedigree, as Kalmah’s core lineup of brothers Pekka and Antti Kokko, bassist Timo Lehtinen and über-drummer Janne Kusmin are back for another swamptastic voyage.

Metal Scenes: Finland

Key Release: Once (2004)

Nightwish

You know you’ve made it when people are lining up to write movies to your soundtrack. Perhaps Finland's most famous metal band, Nightwish has crossed over into the mainstream with its keyboard-driven power metal, often accompanied by a full orchestra. Long-time vocalist Tarja Turnunen was fired in 2007 – though not before an extremely emotional and bombastic final concert that became the End of an Era DVD – and new singer Annette Olzon has taken the band in a more mainstream direction with increased commercial success. The backbone of the band has always been keyboardist and songwriter Tuomas Holopainen, who also handles the symphonic accompaniments. Nightwish’s most recent effort, Imaginaerum, is set to be released as a feature film later this year.

Metal Radar: Spring 2013

Hype Rating: A-

April 30: The Ocean – Pelagial

Post-metal, Progressive / Berlin, Germany

A concept album based on descending through the ocean, Pelagial is a single, massive piece of music that starts out with shimmering piano chords and ends with crushing doom metal. Take your pick from vocal or instrumental versions of this highly-anticipated album.