The demented and chaotic nature of Giraffes? Giraffes! third full length, Ping Magick, is accurately described in just about everything concerning the album except for the music. everything from the absurd track titles to the pretty pink and green explosion of an album cover captures everything that Pink Magick is all about. The band consists of nothing but a guitarist and a drummer, but the monstrosity of tracks such as "DRGNFKR" sounds like something that could not have been done by two musicians alone. Pick Magick is an extraordinary accomplishment for math rock and is easily one of the finest works to come out of this year.
Showing posts with label Fleet Foxes. Show all posts
Showing posts with label Fleet Foxes. Show all posts
Saturday, January 7, 2012
Sean's Top 10 Albums of 2011
10 | Giraffes? Giraffes! - Pink Magick
Posted by
Sean Milo
Labels:
Bon Iver,
Fleet Foxes,
Giraffes? Giraffes,
M83,
Mogwai,
Panda Bear,
Sean Milo,
Starfucker,
The Front Bottoms,
Thursday,
youth lagoon
Saturday, December 31, 2011
Eli's First Annual Year End Album Tournament
Welcome, welcome, to Eli’s first annual “Year End Tournament.” Here I indulge in egregious amounts of pretentious tomfoolery, all in attempt to wrap up my final thoughts on music in 2011.
Posted by
Casey Whitman
Labels:
Beau Navire,
Bjork,
Bon Iver,
Casey Whitman,
End of the year 2011,
Fleet Foxes,
Giles Corey,
Kashiwa Daisuke,
Laura Stevenson,
The Antlers,
The Dear Hunter,
Thrice,
Tim Hecker,
Ulcerate,
wu lyf
Tuesday, November 29, 2011
2011: My Favorite Moments In Music
2011 has been one of the more unique years in music for me as a listener. I listened to albums by hip-hop artists, dubstep artists, indie artist, punk artists, and even female artists. I enjoyed albums from bands I had never heard before, happy songs from one of the most depressing bands on earth, songs about being a "straight white male in America," songs about working in the fields, songs about plowing girls, songs about being a woman, and songs that tried to define America just based solely on its hyperbolic contradictions. 2011 expanded my music taste and produced more moments from more artists than any year in recent memory. Here are my ten favorite moments from 2011.....
Posted by
Blair James Chopin
Labels:
andrew jackson jihad,
Bill Callahan,
Blair Chopin,
Destroyer,
End of the year 2011,
Fleet Foxes,
frank turner,
Girls,
Journal,
Lydia,
Radiohead,
St. Vincent,
The Weeknd
Monday, October 10, 2011
The 14 Day Spiritual Journey
It has become clear to me that just about everyone likes music to a certain extent. Their are people who like music, people who like music a little bit more, and people who absolutely love music. Their are many things that separate people who like music from people who love music. People who like music view it simply as "music" while people who love music view it more as experiences or moments in time, people who like music can name you three mainstream albums while people who love music are constantly editing their albums of the year list, people who like music view music as a hobby while people who love music view it as something that is a critical reflection of the health of an individual and the health of a society. For people who simply like music it never really gets past anything other than catchy choruses and lame music videos, but for people who really love music the music becomes somewhat spiritual. Spiritual because it gives us so many different moments and experiences. And spiritual because it means so damn much.
Posted by
Blair James Chopin
Labels:
andrew jackson jihad,
Armistice,
Blair Chopin,
Bon Iver,
Destroyer,
Fleet Foxes,
frank turner,
Girls,
Journal,
Lydia,
Manchester Orchestra,
Radiohead,
St. Vincent,
The Antlers,
The Weeknd,
TV On The Radio
Tuesday, April 12, 2011
Fleet Foxes
It became relatively hard to escape the mass of acceptance that Fleet Foxes gained after their eponymous debut in 2008, and I predict a wave of more welcoming arms heading toward the band's way with their sophomore release of Helplessness Blues. Robin Pecknold and Skyler Skjelset's combined vocals perform as a well crafted throwback to 50's diner music and are played wonderfully over "Montezuma," the album's beginning track. For a band that has achieved such critical and commercial success in recent years, it is incredible to hear an extraordinary amount of devotion spent in how absolutely personal the album sounds.
Posted by
Kyle Minton
Labels:
artist spotlight,
Fleet Foxes
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